Ready for Paint

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My tiny horde of monsters, washed and ready for paint.   This is a double cast toy, so after I paint them, they’ll get embedded in translucent resin. They have tiny clear hands in their future  ..The first drop of this toy will be at the Kaiju Cult show 4/20 7pm-midnight at Little Tree Studios. I’ll be posting more sneak peeks as I get ready! @kaijucult

My tiny horde of monsters, washed and ready for paint. This is a double cast toy, so after I paint them, they’ll get embedded in translucent resin. They have tiny clear hands in their future.

The first drop of this toy will be at the Kaiju Cult show 4/20 7pm-midnight at Little Tree Studios. I’ll be posting more sneak peeks as I get ready!

Mold Surgery

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Performing surgery on a new mold. I created registration keys by cutting a zigzag into the outer edges. This helps the two parts line up more accurately for casting. I used a weitlaner retractor to hold the silicone open while I cut towards the inside, straightening out the seam as I got closer to the sculpt. It can be a bit tricky. The key is knowing where the edges of the sculpt are so that I’m not cutting totally blind. I usually take a picture of the mold set up before pouring so I have something to reference when I cut. I get better at it each time!

Tiny Hands

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Painting tiny spots 🌚

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Painting tiny spots ✨🌚 After I finish the details, I’ll add a holographic sparkle coat and high gloss varnish to make the colors really pop. It’s all about creating depth through layering.

Posted by Rachel De Urioste Art on Sunday, December 9, 2018

After I finish the details, I’ll add a holographic sparkle coat and high gloss varnish to make the colors really pop. It’s all about creating depth through layering.

Gesso Time

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Applying gesso and drying it. Doesn’t look like much, but it’s an important step for good paint adhesion. 🖌🖤

Posted by Rachel De Urioste Art on Friday, November 30, 2018

Applying gesso and drying it. Doesn’t look like much, but it’s an important step for good paint adhesion. 🖌🖤

Figure Drawing Practice

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I go to figure drawing sessions as often as I can to stay in practice. The one I go to is short pose. We start with 30 second poses, slowly increasing the time every few rounds until we end with a 20 minute pose. If you’re compulsively detail oriented (like me), it’s a great way to loosen up and practice drawing faster. It forces me to get to the heart of the pose quickly, then move on. It’s about finding momentum rather than creating a perfect drawing.